When a movie gets remastered for HD , it takes a lot of prison term and effort to get it count its best . Sure , studio can do a cheap and dirty transfer and deliver you a jerry-built , compressed , crappy looking disk , and many do , but for grown - name picture show , there ’s a long ton of work that work into it .
Sound and Vision Magazine visit the Warner lot and remove a peep at what the process was to touch on Blade Runner to a pristine State Department for its upcoming Final Cut sacking on HD DVD and Blu - ray . They chronicle everything from read the picture in at 4 K ( 4,000 lines of closure ) from the celluloid to keep a super - high - quality master on file cabinet to arrest the surround sound absolutely perfect . If you ’re interested in just what die into restoring a cinema for HD , you should definitely check over it out . [ Sound and Vision ]
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